26 June 2013
He adores sonic rebuses and intellectual games with musical associations. He ﬂ irts with the past, pinching from composers of the older generation. He amuses the listener with subtle humour and occasional irony, while other times he balances on the border of kitsch and grotesque. Occasionally, he introduces folk melodies with a bite, and is also capable of entrancing the listener with obsessive repetitions of his favourite structures. Sometimes he attacks with raw, unpleasant, synthetic computer sounds.
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